Vaazhai Review: Mari Selvaraj Weaves A Touching Tale Of Struggle And Survival

Indian audiences are witnessing an exciting evolution in regional cinema, with films like Vaazhai offering powerful stories and performances that resonate deeply. Calling such films “regional” almost undermines their reach and impact; cinema, by its very nature, crosses boundaries and serves as one of the most immersive art forms we have. With Tamil, Malayalam, and other language films adding new dimensions to what is now called “Indian Cinema,” Vaazhai, directed by Mari Selvaraj, stands out as a compelling example of this broader shift.

Vaazhai tells the story of Sivanaindhan, portrayed with remarkable sensitivity by Ponvel. He is a young boy facing his family’s struggles while finding comfort in school, where his friendship with Sekar (Raghul) and his growing feelings for his teacher, Poongodi (Nikhila Vimal), bring him joy and meaning. The cast, including Dhivya Duraisamy as Sivanaindhan’s supportive sister, Vembu, and Janaki as his resilient mother, captures the essence of family bonds in difficult times. Kalaiyarasan plays Kani, a communist fighting for labor rights, adding depth to the story. Selvaraj’s choice of cinematographer Theni Eswar provides a nuanced visual experience, highlighting Tamil Nadu’s stunning landscapes alongside the harsh realities of rural life. Santhosh Narayanan’s evocative score further enhances the film, subtly guiding the audience through each emotional moment. While it may seem unusual to list the cast and crew, in a film like Vaazhai, the collaboration of every department deserves recognition, as each part contributes to a cohesive whole that leaves little room for criticism.

The plot focuses on Sivanaindhan’s life as he carries the weight of family responsibilities without a male figure at home. School serves as his safe haven, and Poongodi’s presence offers him an inspiring connection. However, weekends force him back into reality, where he must carry plantains for his family—a tough job that reflects the burdens placed on him too early. His quiet rebellion contrasts with Kani’s more outspoken resistance against the plantation system, exposing Sivanaindhan to the broader social and political issues at play. The story ultimately poses a challenging question: if we were in his shoes, could we endure such a life?

Selvaraj’s direction goes beyond a simple cinematic exploration; it is a deeply personal project filled with memories and experiences that lend authenticity to the story. His ability to mix wide, dreamy shots of Tamil Nadu with close-up frames capturing real hardship highlights the contrasting emotions in Sivanaindhan’s world. Tamil cinema often draws on cultural and religious themes to anchor its narratives, and Vaazhai does this well, placing its story in a specific social and cultural context without being heavy-handed. This grounding allows the narrative to unfold naturally, with a quiet yet powerful impact.

Understanding a life you’ve never lived requires a special kind of empathy, and Selvaraj brings this to life, inviting the audience to experience what feels like a vivid memoir of his own childhood. Sivanaindhan’s journey—alongside his mother’s sorrow for her late revolutionary husband and his sister’s dedication to their family—transforms the idea of “family” into a shared strength. Vaazhai explores themes of poverty, hunger, oppression, and the harsh reality of death with a universal quality that resonates across boundaries. By the end, the melancholic notes of Narayanan’s score remind us of these shared human experiences, transcending cultural and language differences.

The sound design and music act as the film’s unspoken language. Selvaraj begins Vaazhai with strong, deliberate sounds that grab your attention, drawing you into Sivanaindhan’s world immediately. This immersive experience continues throughout, with hymns and songs enhancing the film’s authenticity. As the story unfolds, viewers instinctively find themselves matching their breath with the protagonist’s tired movements, feeling the burden of each plantain he carries. Through Vaazhai, Selvaraj not only gives us a glimpse into the struggles of rural life but also invites us to understand and, for a brief moment, share them alongside Sivanaindhan. The film resonates on a deep emotional level, ensuring that viewers leave not just as spectators but as participants in the lives it portrays.